DAY 29: BEST PICTURE PART V

Heading into the homestretch…

The Crowd

(1928-6am/5am)

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Oscar Nominations

Best Unique and Artistic Production (Irving Thalberg)

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Best Director, Dramatic Picture (King Vidor)

This was the only year the Academy had two Best Picture awards.  They were combined into one the next year.


Smilin’ Through

(1932-7:45am/6:45am)

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Oscar Nomination

Best Picture (Irving Thalberg)

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Norma Shearer and Fredric March played dual roles.


Stage Door

(1937-9:30am/8:30am)

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Oscar Nominations

Best Picture (Pandro S. Berman)

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Best Director (Gregory La Cava)

Best Supporting ActressAndrea Leeds as Kay Hamilton

Best AdaptationMorris Ryskind and Anthony Veiller

Watch Kate and Ginger snark at each other!


Double Indemnity

(1944-11:15am/10:15am)

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Oscar Nominations

Best Picture (Joseph Sistrom)

Best Director (Billy Wilder)

Best ActressBarbara Stanwyck as Phyllis Dietrichson

Best ScreenplayRaymond Chandler and Billy Wilder

Best Music Score of a Dramatic or Comedy PictureMiklos Rozsa

Best Sound Recording-Loren L. Ryder

Best B&W CinematographyJohn F. Seitz

I always thought that Stanwyck looked like she does in this movie.  I thought she had really bad hair.  Boy, was I wrong.


Anchors Aweigh

(1945-1:15pm/12:15pm)

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Oscar Winner

Best Scoring of a Musical PictureGeorgie Stoll

Oscar Nominations

Best Picture (Joe Pasternak)

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Best ActorGene Kelly as Joseph “Joe” Brady

Best Song“I Fall in Love Too Easily” by Jule Styne (Music) and Sammy Cahn (Lyrics)

Best Color CinematographyRobert Planck and Charles P. Boyle

The first teaming of Gene Kelly and Frank Sinatra.  In the three films Sinatra co-starred with Kelly, he always played a shy guy who had trouble with the ladies.  Casting against type at its finest.


The Pride of the Yankees

(1942-3:45pm/2:45pm)

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Oscar Winner

Best Film EditingDaniel Mandell

Oscar Nominations

Best Picture (Samuel Goldwyn)

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Best ActorGary Cooper as Lou Gehrig

Best ActressTeresa Wright as Eleanor Gehrig

Best Original Motion Picture StoryPaul Gallico

Best ScreenplayHerman J. Mankiewicz and Jo Swerling

Best Music Score of a Dramatic or Comedy PictureLeigh Harline

Best Sound RecordingThomas T. Moulton

Best B&W Art Direction-Perry Ferguson (Art Direction) and Howard Bristol (Set Decoration)

Best B&W CinematographyRudolph Mate

Wright is one of the few people who was nominated in two different acting categories.  The last person to achieve this was Jamie Foxx in 2004.


Sounder

(1972-6pm/5pm)

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Oscar Nominations

Best Picture (Robert B. Radnitz)

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Best ActorPaul Winfield as Nathan Lee Morgan

Best ActressCicely Tyson as Rebecca Morgan

Best Adapted ScreenplayLonne Elder III

The young boy who played David directed a television remake of this film which aired in 2003.


An American in Paris

(1951-8pm/7pm)

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Oscar Winners

Best Picture (Arthur Freed)

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Best Story and ScreenplayAlan Jay Lerner

Best Scoring of a Musical PictureJohnny Green and Saul Chaplin

Best Art Direction, ColorCedric Gibbons and Preston Ames (Art Direction); Edwin B. Willis and Keogh Gleason (Set Decoration)

Best Color CinematographyAlfred Gilks and John Alton (ballet sequence)

Best Color Costume DesignOrry-Kelly, Walter Plunkett, and Irene Sharaff

Oscar Nominations

Best Director (Vincente Minnelli)

Best Film EditingAdrienne Fazan


My Fair Lady

(1964-10:15pm/9:15pm)

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Oscar Winners

Best Picture (Jack L. Warner)

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Best Director (George Cukor)

Best ActorRex Harrison as Professor Henry Higgins

Best Original ScoreRobert B. Sherman and Richard M. Sherman

Best Adaptation or Treatment Score-Andre Previn

Best SoundGeorge Groves

Best Art Direction, ColorGene Allen and Cecil Beaton (Art Direction); George James Hopkins (Set Decoration)

Best Color CinematographyHarry Stradling

Best Costume Design, ColorCecil Beaton

Oscar Nominations

Best Supporting ActorStanley Holloway as Alfred P. Doolittle

Best Supporting ActressGladys Cooper as Mrs. Higgins

Best Adapted ScreenplayAlan Jay Lerner

Best Film EditingWilliam H. Ziegler

Audrey Hepburn wasn’t even nominated!


Oliver!

(1968-1:30am/12:30am)

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Oscar Winners

Best Picture (Jack Woolf)

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Best Director (Carol Reed)

Best Original or Adaptation ScoreJohn Green

Best Sound-Shepperton Studio Sound Dept.

Best Art DirectionJohn Box and Terence Marsh (Art Direction); Vernon Dixon and Ken Muggleston (Set Decoration)

Oscar Nominations

Best ActorRon Moody as Fagin

Best Supporting ActorJack Wild as Jack Dawkins aka “The Artful Dodger”

Best Adapted ScreenplayVernon Harris

Best Costume DesignPhyllis Dalton

Best CinematographyOswald Morris

Best Film Editing-Ralph Kemplen

The musical version of Dicken’s Oliver Twist.


The Broadway Melody

(1929-4:15am/3:15am)

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Oscar Winner

Best Picture (Irving Thalberg and Lawrence Weingarten)

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Oscar Nominations

Best Director (Harry Beaumont)

Best ActressBessie Love as Harriet “Hank” Mahoney

The musical numbers are nice.  That’s all I have to say.

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DAY 2: BEST ORIGINAL SCORE

The Best Original Score was first awarded in 1935.  The category was originally called Best Scoring and was a mix of original scores and adaptations of pre-existing material.  Later the category was split into Best Music Score of a Dramatic Picture and Best Scoring of a Musical Picture.  There are so many name changes I can hardly keep up!

Our Town (1940-6am/5am c)

Oscar Nominations

 Aaron Copland

Best ScoringAaron Copland

Best Picture (Sol Lesser)

Best ActressMartha Scott as Emily Webb

Best SoundThomas T. Moulton

Best Art Direction-Lewis J. Rachmil

 

An adaptation of Thorton Wilder’s Pulitzer Prize-winning play about small-town life in the early 20th century.  Isn’t it weird that Aaron Copland was nominated for Score and Scoring?


This is the Army (1943-7:30am/6:30am c)

Oscar Winner

Best Scoring of a Musical PictureRay Heindorf

Oscar Nomination

Best Sound RecordingNathan Levinson

Best Art Direction, Color-John Hughes (Art Direction), Lt. John Koenig (Art Direction); George J. Hopkins (Set Decoration)

The musical was sung and danced by real American soldiers.  The movie was by Warner Bros. by special arrangement by the War Department to boost morale.


The Old Man and the Sea

(1958-9:45am/8:45am c)

Oscar Winner

Musical Score of a Dramatic or Comedy PictureDimitri Tiomkin

Oscar Nominations

Best ActorSpencer Tracy as The Old Man

Best Cinematography, ColorJames Wong Howe

Spencer Tracy’s sixth nomination for Best Actor.


A Star is Born (1954-11:15am/10:15am c)

Oscar Nominations

Scoring of a Musical PictureRay Heindorf

Best Actress-Judy Garland as Esther Blodgett/Vicki Lester

Best SongThe Man That Got Away” by Harold Arlen (music) and Ira Gershwin (lyrics)

Best Art Direction, Color-Malcolm Bert (Art Direction), Gene Allen (Art Direction), Irene Sharaff (Art Direction); George James Hopkins (Set Decoration)

Best Costume Design, ColorJean Louis, Mary Ann Nyberg, and Irene Sharaff

The magnum opus of Judy Garland’s career.  She only lost the Best Actress award for Grace Kelly by six votes.


On the Town (1949-2:15pm/1:15pm c)

Oscar Winner

Best Scoring of a Musical PictureRoger Edens and Lennie Hayton

The first musical to be shot on location.  Three sailors find adventure and love during a 24-hour furlough in New York.

 


Annie Get Your Gun (1950-4pm/3pm c)

Oscar Winner

Best Scoring of a Musical PictureAdolph Deutsch and Roger Edens

Oscar Nominations

Best Art Direction, ColorCedric Gibbons (Art Direction) and Paul Groesse (Art Direction); Edwin B. Willis (Set Direction) and Richard A. Pefferle (Set Direction)

Best Film EditingJames E. Newcom

Best Cinematography, ColorCharles Rosher

Boy, what a troubled production!  First, Judy Garland was fired and replaced by Betty Hutton.  Then leading man Howard Keel broke his leg.  Then, Frank Morgan, who was the first choice to play Buffalo Bill, died.  He was replaced by Louis Calhern.  Then director George Sidney was replaced by George Walters, who found out he was the new director in a gossip column!


Now, Voyager (1942-6pm/5pm c)

Oscar Winner

Best Music Score of a Dramatic or Comedy PictureMax Steiner

Oscar Nominations

Best ActressBette Davis as Charlotte Vale

Best Supporting ActressGladys Cooper as Mrs. Windle Vale

I’m surprised this movie only received three Oscar nominations, many considered this to be Bette’s best performance.  This was her fifth consecutive Best Actress nomination.


Limelight (1952-8pm/7pm c)

Oscar Winner

Best Original Score (Dramatic)Charles Chaplin, Raymond Rasch, and Larry Russell

This film was nominated and won an Oscar 20 years after it was made.  You see, the movie was never played in a Los Angeles cinema until 1972 which made it eligible for Oscar consideration.


Fiddler on the Roof

(1971-10:30pm/9:30pm)

Oscar Winners

Best Original Song and Adaptation ScoreJohn Williams

Best Sound-David Hildyard and Gordon McCallum

Best CinematographyOswald Morris

Oscar Nominations

Best Picture (Norman Jewison)

Best DirectorNorman Jewison

Best ActorChaim Topol as Tevye

Best Supporting ActorLeonard Frey as Motel Kamzoil

Best Art DirectionRobert Boyle (Art Direction) and Michael Stringer (Art Direction); Peter Lamont (Set Direction)

Producer/director was brought into the production because the executives thought he was Jewish because his last name was Jewison.  He has gotten this all of his life.


Yankee Doodle Dandy

(1942-1:45am/12:45am c)

Oscar Winners

Scoring of a Musical PictureRay Heindorf and Heinz Roemheld

Best ActorJames Cagney as George M. Cohan

Best SoundNathan Levinson

Oscar Nominations

Best Picture (Jack Warner, Hal B. Wallis, and William Cagney)

Best Supporting ActorWalter Huston as Jerry Cohan

Best Original Motion Picture StoryRobert Buckner

Best Film Editing-George Amy

What is this?  Ray Heindorf day?  This is the third movie that he conducted today!  Also, when George Cohan saw the rough cut of the movie, he said, “It was a good movie.  Who was it about?”  The movie had deviated very far from the real Cohan.


Cover Girl (1944-4am/3am)

Oscar Winner

Scoring of a Musical PictureMorris Stoloff & Carmen Dragon

Oscar Nominations

Best Song-“Long Ago and Far Away” by Jerome Kern (music) and Ira Gershwin (lyrics)

Best Art Direction, Color-Lionel Banks (Art Direction) and Cary Odell (Art Direction); Fay Babcock (Interior Decoration)

Best Cinematography, ColorRudolph Mate and Allen M. Davey

Rita Hayworth married Orson Welles during production.  Gene Kelly and Stanley Donen began their fruitful collaboration during this film.

SUMMER UNDER THE STARS: GENE KELLY

One of film’s greatest dancers has his day with 12 films, several of which will feature his athletic dancing style.

 

Mariah’s Picks

The Pirate (1948-9:30 am/8:30 am c)

I’m just here for the short shorts.


The Three Musketeers (1948-5:30 pm/4:30 pm c)

Gene is D’Artagnan in one of the most famous adaptations of Alexander Dumas’s classic.


Singin’ in the Rain (1952-8 pm/7 pm c)

This week’s TCM Essential and the final film special guest Tina Fey selected.  Director William Friedkin will take over starting next Saturday.


Cover Girl (1944-4 am/3 am c)

Kelly’s breakthrough role.  The movie where he dances with himself.

31 DAYS OF OSCAR: THE BEST OF THE S’S

Singin’ in the Rain (1952)

Gene Kelly dances in the rain.  Saw it on the big screen in January.  Love!


Some Like it Hot (1959)

Tony Curtis and Jack Lemmon dress as women because they are on the run from mobsters.


Spartacus (1960)

Would you believe Kirk Douglas was 44 when he did this?


Stage Door(1937)

A great chick flick.


Stagecoach (1939)

John Wayne’s big break.


A Star is Born (1937)

Watch the first version of this movie before you see the newest version with Bradley Cooper and Lady Gaga hits theaters.


Strangers on a Train (1951)

Two guys meet on a train and discuss swapping murders.  Only one is kidding.


A Streetcar Named Desire (1951)

The film that put Brando on the map.